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THE HAIBUN GALLERY: 18th September 2025. Anju Kishore - Guest Poet

host: Rupa Anand

mentor: Lorraine Haig editors on haikuKATHA: Shalini Pattabiraman, Vidya Shankar, Firdaus Parvez and Kala Ramesh

Guest Poet: Anju Kishore

A Thursday Feature

18th September 2025 -


THE HAIBUN GALLERY  September 2025 Anju Kishore



Alan Peat 

Touchstone Award for Individual Haibun, 2022

Samurai Haibun Contest 2022


Gaudy Spring


The man who keeps each season in a box is spring cleaning. He polishes the

silver box that winter is kept in. It is cold to the touch. Autumn’s box is

fashioned of driftwood. If you shake it you can hear dryness rustle. He gives it a

little dust. You have to be careful with summer; it’s hot to the touch now. Hold it

too long and you’ll burn your fingers. He leaves it alone on the high shelf. Ah,

but Spring is his favourite box. Open its cloisonné lid and the buttercups will

make your chin glow yellow. There are too many shades of green to count. Ask

him politely and he’ll point out Crested Dog’s tail and cowslips and Yorkshire

fog. Look closely: there, inside the box. Can you see the young boy with the

basin cut? The one who is holding his dad’s hand? They are walking through the

wildflower meadow in Muker. Soon they will reach the river with its banks of

celandines and oxeye daisies.

 

faded as a haircut

in a barbershop window

pressed bluebells

 

***

Ever dreamt of stepping into candy-land or right into your favourite fairytale?

That is the feeling I get as I read Al Peat’s award-winning haibun. And then as I

look deeper into the Spring box as Al instructs me to…wham! I am that young

boy heading to the river holding dad’s hand. Is that still the dream or a nearly

forgotten memory or …wishful thinking?


This week, lead readers into your haibun that unfolds bit by bit, like a film.

Tingle the senses, open up vistas and maybe finally, throw the poem wide open

to a very personal moment?



Haibun outside the prompt is welcome



<>

Thanks, Anju.

Most beautiful prompt.

Waiting to see what our poets come up with!


_kala


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IMPORTANT ANNOUNCEMENT NOTICE

              NOTICE


Dear Haibuneers


Starting from March 2025, we at haikuKATHA are moving on to a new submissions format for haibun submissions. (Only for haibun, please note!)


Writers are invited to submit one unpublished haibun per submission window.


Kindly note the submissions calendar.


1-20 March, to be considered for publication in May

1-20 June, to be considered for publication in August

1-20 September, to be considered for publication in November

1-20 December, to be considered for publication in February


All accepted submissions will receive an email to confirm their acceptance by the 5th day of the publication month.


Your unpublished (only one) haibun should be sent to: 

The Google link will be given in this space soon. This form will only be available during the submission period. 


********


The Haibun Gallery continues as is.

We will be having editors and prompts, and your sharing…


75 Comments


Rayleigh, nee RAGHELEIAM

Vertical skeletons baring cables line fields of wild grass as I gaze out from the mount. Below, throngs of people weave their way past hangman’s corner up to where the iron horses once appeared, paused and breathed clouds into clear blue skies before departing for London.


carved bench

a pair of initials

in a pierced heart

it’s in the doomsday book, an appearing stranger mentions to an unseen colleague, as he climbs the last of the thirty nine steps up from the inner Bailey, 11th century, he continues, as if projecting a piece of knowledge already lodged in my mind.


disrupted peace

a clump of cowslip

wilts in the wind Robert Kingston, UK

Edited
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Replying to

Thanks for the feedback, Joanna. Always appreciated.

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Edit, thanks to Alfred:


#2

 

Fractals

 

I spin the pocket-watch and step through a portal.  The skies are like layers of candyfloss, shifting through from purple, lilac and pink.  My feet leave no prints, just a dusting of where I’ve been.  Sprinkles of candy rise in water spurts, spilling out into the air.

 

woodpecker tones pulling the daylight back to dawn

 

The dial re-spins and I’m pulled forward to another space.  Emerald moss beneath me and an azure lake to one side.  Rainbow fish break the surface, scattering molecules of wishes that pop and fizz all around.  An angler tilts his line into the waters.

 

dusk the sudden migration of starlings

 

I reach back…


Edited
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Replying to

Thank you so much Mohua.

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Does someone have the google submission form for haibun please. I can't seem to find it anywhere. Thank you

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Replying to

Thank you, Alfred

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Harbinger


Awe and joy surge in me, edged with a little fear. Yellow-tail Cockatoos loop from branch to branch, their raucous cries like unoiled hinges. Big black wings flow around me – twenty, thirty, the flock still growing. Just metres away, young birds are fed from the dark beaks of their parents. The track rings with a cacophony of sound as they swoop overhead.


 

Casuarinas pines

snow clouds drift

over the mountains


Lorraine Haig, Aust.

Revised with thanks to Alfred and Joanna.


Harbinger          

 

Yellow-tail Cockatoos loop from tree to tree, their raucous cries like unoiled hinges. Big black wings flow around me – twenty, thirty, the flock still growing. Just metres away, young birds are fed from the dark beaks…


Edited
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Mohua
Mohua
Sep 23
Replying to

This is so vivid and beautiful Lorraine.

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tanka prose #1---19Sept25


ERROR: POSTED ON WRONG BLOG PLEASE GO TO TANKA TAKE HOME TO READ THIS POEM


with apologies, Billie


Edited
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Replying to

Billie, this is so sad. We watch war and all the horrors they contain on our devices. We see unimaginable pain but it's poetry that brings home the truth of it. 'Simple language and direct reader engagement', to quote your words.


I think this should be in Tanka Take Home. Wonderful to read it here though.

Edited
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