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writeALONG 24 March, 2026

A TUESDAY FEATURE

hosts: Padma Rajeswari, K. Ramesh

guest editor: Jenny Shepherd


Only the unpublished poems (that are never published on any social media platform/journals/anthologies) posted here for each prompt will be considered for Triveni Haikai India's monthly journal -- haikuKATHA, each month.


Poets are requested to post poems (haiku/senryu) that adhere to the prompts/exercises given.


Only 1 poem to be posted in 24 hours. Total 2 poems per poet are allowed each week (numbered 1,2). So, revise your poems till 'words obey your call'.


Responses are usually a mixture of grain and chaff. The poet has to be discerning about what to take for the final version of the poem or the unedited version will be picked up for the journal.


The final version should be on top of the original version for selection.


Poetry is a serious business. Give you best attempt to feature in haikuKATHA !!

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Since I've been here, there's been enough work for me to do, what with the neglected garden with its tall pines and long, unkempt grass mixed with all sorts of weeds, and I haven't even been outside.

 

However, the countryside around St. Rémy is very beautiful, and little by little I shall probably make a few short trips.

 

But while I stay here, the doctor is of course in a better position to see what is wrong, and will have his mind set at rest, I hope, about what he can let me paint.

 

I assure you that I am all right here, and that for the time being I see no reason at all to take lodgings in or around Paris. I have a small room with greenish-grey paper with two sea-green curtains with a design of very pale roses, brightened by touches of blood-red.

 

These curtains, probably the legacy of some deceased and ruined rich person, are very pretty in design. A very worn armchair, probably from the same source, is covered with a tapestry speckled like a Diaz or a Monticelli in brown, red, pink, white, cream, black, forget-me-not blue and bottle green. Through the iron-barred window I can see an enclosed square of wheat, a prospect like a Van Goyen, above which, in the morning, I watch the sun rise in all its glory.”

 

-       Letter from Vincent Van Gogh to his brother, Theo. Saint Rémy, France, 22 May 1889.  He died 29 July, 1890.


I invite you to write a haiku/senryu on the theme of things that surround you, both near and far, and how you respond to them.

13 Comments


Jacek Margolak
Jacek Margolak
an hour ago

#1


winding trail—

the ridge of Łysica

shaping the sky


Jacek Margolak

Poland


The ridge of Łysica Mountain is more than just a peak in the Świętokrzyskie range; it is a constant companion. Whether walking the forest paths or the open fields nearby, its silhouette provides a sense of orientation and belonging. Much like the familiar landmarks of our childhood, this ancient, stone-capped mountain doesn't just sit on the horizon—it actively carves and defines the very shape of the sky above the trail, turning every turn of the path into a new perspective on something eternal.

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Alan Summers
Alan Summers
38 minutes ago
Replying to

I wondered about 'shapes' as a more active present tense?


It must be wonderful to have a mountain range forever in your sights.


When Karen and myself holidayed in Morocco I couldn't believe I'd wake up to the Atlas Mountains and have a grand view morning, day, and night!


Atlas Mountains

the snow-capped peaks

in every sunrise


Alan Summers

Publication:

A Sense of Place: MOUNTAIN – sight ed. kjmunro (The Haiku Foundation) 

August 2018


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#1


pink dawn…

my dream 

in a blink


Raji Vijayaraghavan

India

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Alfred Booth
Alfred Booth
3 hours ago

#1

boxes of letters

crossed the Atlantic

autumn mulch


Alfred Booth

Lyon, France

Edited
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Dinah Power
Dinah Power
3 hours ago

1st


the joy to explore

lands elsewhere a no go

war time


Dinah Power, Israel

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Sathya Venkatesh
Sathya Venkatesh
6 hours ago

#1 temple bell -- the warmth of rice in my hands Sathya Venkatesh, India

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