top of page

triveni spotlight: 21st June 2025

triveni spotlight A FEATURE EVERY ALTERNATE DAY hosts: Anju Kishore and Mohua Maulik GUEST EDITOR: Kashiana Singh

21st June 2025


triveni spotlight June 2025




rain, rain ...

      we let her unborn twin

      return to loam


Mark Haris 

burl, Red Moon Press March 21, 2020

                                          

   <> <> <>



Mono no Aware: The Tenderness of Ending


In Japanese tradition, jisei—death poems composed by individuals on the brink of death—offer final reflections on life, impermanence, and the unknown beyond. Often brief, stark, and yet tender, these poems do not resist death but instead accept it as part of the natural rhythm of existence. Through nature imagery and minimalism, jisei endure as a person's final parable, their distilled teaching to those left behind.


Haiku, too, teaches us to see each moment as both a birth and a death. In its nakedness, haiku captures the bardo moments described in the Tibetan Book of the Dead—transitions between realms, between states of being. Every moment we live contains the seed of both beginning and ending.


The Japanese aesthetic of mujo (impermanence) and mono no aware ("the beauty of transient things") is naturally embedded in haiku, urging us to see not tragedy, but tenderness in the inevitable cycle of change.


In Indian philosophy, this cycle of life, death, and rebirth—samsara—is also seen as a sacred, continuous flow. Death is not a rupture but a return, part of the great wheel of existence. Acceptance of transitions, whether through mourning rituals, river immersions, or the lighting of a pyre, reflects a deep understanding that endings are inseparable from beginnings.


Thus, haiku echoes a universal wisdom across ancient cultures: to live is to move through endless openings and closings, with tenderness for what must pass.


Haiku strips away all but the essence. A poet can express an entire cosmos of grief, gratitude, and wisdom in just a few words. In contemplating death through haiku, we are also contemplating life—its urgency, tenderness, and fleeting beauty.


Through the acceptance of death, we are offered not despair but profound connection: to one another, to the seasons, and the moment-by-moment act of living.


This month, i bring to you a selection of haiku that speak directly to the themes of death, loss, rebirth, and the bittersweet beauty of transience


Kashiana Singh


<> <> <>



Our thanks to Kashiana Singh, this month’s guest editor, for her selection on a theme that is inextricably linked to all our lives. Poets, we are sure you will find the poems and the write up engaging and thought-provoking. Don't forget to share your thoughts in the comments.



_()_ triveni spotlight team






3 Comments


Such a good poem for mono-no-aware. Well done, Kashiana.

Like

rain, rain ...       we let her unborn twin       return to loam —Mark Haris,  burl, Red Moon Press March 21, 2020

Harris’s “rain, rain…” distills a lifetime of sorrow into a breath. The repetition evokes both atmosphere and helplessness, while the act of letting affirms a reluctant acceptance. The poem’s core pulses with mono no aware—an ache for impermanence made nearly unbearable by love and loss.

Thanks for shining the Triveni spotlight on this moving poem, Kashiana.


---Billie

Like
Replying to

Beautiful comment, Billie.

Like
bottom of page