hosts: Firdaus Parvez, Kala Ramesh, Priti Aisola & Suraja Menon Roychowdhury
Introducing a new perspective to our Wednesday Feature!
June12, 2024
poet of the month: Sue Colpitts
Biography: Sue came late to writing poetry. While surfing the web, she read some haiku poetry, dabbled in it and became hooked. Later she discovered tanka on the All Poetry site (allpoetry.com) and took its tanka courses online. The instructors and fellow poets continue to offer helpful feedback and guidance. She finds inspiration in the poetry from Inuit songs to the Hyakunin Isshu to the poems by contemporary Canadian poets, and from nature. Her favourite tanka poets include Ono No Komachi and Michael Mclintock. After reading a great poem like one written by an’ya, she tries different themes and ways to write a tanka. She feels that experimenting with the form keeps her writing fresh and challenging, and needs to be emotionally inspired to write poetry.
TTH: How do you develop a tanka? Please guide us through the stages of a poem.
SC: I must be emotionally inspired to write poetry. Nature has always played a large part in my life. For me it plants a seed of a haiku that may grow into a tanka. The first three lines of the draft tanka are usually haiku-like. Then I relate it to a human relationship, experience or emotion for the next two lines. The next step involves writing and rewriting it over and over again until the two parts flow together and become one tanka, one song.
soon the snow falls
with days piled up on days
and long, lonely nights
oh, how I’ll miss you
in the winter between us
-Atlas Poetica 26
melting snow
and voilà
a purple crocus
like the new friend
I didn’t know I needed
We are deeply grateful to Sue Colpitts for sharing her beautiful poems with us.
Some thoughts on Sue's tanka: These tanka showcase the seamless transition from nature to human relationships. The first one has such a classic feel - like it was written by Ono no Komachi, or Izumi Shikibu. An endless winter, with the snow and days both piling up with no end in sight. The winter between us is an unusual turn of phrase, giving the reader pause, room to think and react. Contrast that with the second tanka filled with hope and the unexpected pleasure of finding something that fills a void ...
Prompt for this week: Write about something unexpected, that surprised you- either pleasantly or unpleasantly.
Important: Since we're swamped with submissions, and our editors are only human, mistakes can happen. Please, please, remember to put your name, followed by your country, below each poem, even after revisions. It really helps our editors; they won't have to type it in, saving them from potential typos. Thanks a ton!
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And remember – tanka, because of those two extra lines, lends itself most beautifully when revealing a story. And tanka prose is storytelling.
Give these ideas some thought and share your tanka and tanka-prose with us here. Keep your senses open, observe things that happen around you and write. You can post tanka and tanka-prose outside these themes too.
An essay on how to write tanka: Tanka Flights here
PLEASE NOTE
1. Post only one poem at a time, only one per day.
2. Only 2 tanka and two tanka-prose per poet per prompt.
Tanka art of course if you want to.
3. Share your best-polished pieces.
4. Please do not post something in a hurry or something you have just written. Let it
simmer for a while.
5. Post your final edited version on top of your original verse.
6. Don't forget to give feedback on others' poems.
We are delighted to open the comment thread for you to share your unpublished tanka and tanka-prose (within 250 words) to be considered for inclusion in the haikuKATHA monthly magazine.
Please check out the LEARNING Archives.
New essays are up! https://www.trivenihaikai.in/post/learning-archive
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