HAIKUsutradhar. weekly prompts
A FRIDAY FEATURE
9th June Lev Hart, the mentor for HAIKUsutradhar, would be pleased to answer your questions and concerns.
hosts: Akila G. & Shreya Narang
the month of May: Surashree Ulhas Joshi
Prompts are based on emotions (called navarasas) that come to the fore when we hear ragas of Indian classical music traditions.
¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬¬ haikuKATHA - the monthly journal from Triveni Haikai India!
founder/managing editor: Kala Ramesh
Firdaus Parvez Hemapriya Chellappan
Priti Aisola Reid Hepworth Sanjuktaa Asopa
Suraja Menon Roychowdhury Vandana Parashar
Haiku, senryu and haiga/shahai (photo haiku) posted here on this thread will be picked up for Triveni Haikai India's monthly journal - haikuKATHA At the moment we are not looking at found poetry, rengay and other split sequences. Other than haiga, no photos are to be shared on our blog on account of storage/memory limitations.
................................................................................................................................. Associate Editors, Madhuri Pillai and Akila G. are stepping down for personal reasons. We wish them the very best. Associate Editors, K. Ramesh and Shobhana Kumar stepped down earlier in the year for personal reasons. A huge thank you to all four beautiful poets. Associate Editors, Reid Hepworth (from Oct 2022), Sanjuktaa Asopa (from 15 October 2022) and Hemapriya Chellappan (from Dec 2022) will be joining us. A huge welcome to all these three lovely poets. _()_ ........... For some more exciting news! CHECK THESE FORUMS: Tanka, kyoka and tanka-prose to be posted on TANKA TAKE HOME and Haibun to be posted on THE HAIBUN GALLERY Please do visit: 'triveni spotlight' 'open sky :: SAMVAAD' and 'thinkALONG' Good poems and challenges are posted in these feature forums. ........
The poems you post will also be considered for the haikuKATHA Monthly Journal each month.
Due to a sudden increase in activity, here are some quick guidelines, for HAIKUsutradhar:
1. From July 2023 onwards only 2 haiku (numbered 1 & 2) per week/per prompt are to be posted on HAIKUsutradhar. The editors are finding it extremely difficult to go through 145 pages of haiku submission every month. 2. Please do not post two poems in one day/in 24 hours ... just one and in total only 2 poems per week from Friday to Friday.
2. For each poem you share, please comment on ONE other poem which isn't yours!
3. Post only your unpublished, original poems.
4. If poets have NOT ASKED for FEEDBACK, please don't give.
5. Most importantly, please do not post a variety of drafts, along with a request for readers to choose which they like most. Only one poem is to be posted.
Post your best haiku and let's have each issue with your best work.
Poems previously published on your webpage or social media will be accepted.
Poems previously published in peer-reviewed or edited journals or anthologies and contest winners that were published elsewhere will not be accepted.
6. IMPORTANT: if any member provides feedback on the poem in the comment section, the poet must decide on the final version and post it on top of the original version.
Or else the original unedited version on your thread will be picked up by us for the selection.
On your comment thread, you need to post your revised final version (if you have one!)
Edited version: Your final version of the poem goes first, so it will be easy for our team to consider that for the haikuKATHA journal.
Original version: Your first version of the poem remains - under your final version.
Raga Keerwani: I thought long and hard about which raga to give as the prompt. I had many options but then I landed on this beautiful raga from the Carnatic tradition. The sweetness of this raga is unparalleled, if you ask me. And the cherry on top…imagine this raga being played by Pt. Shivkumar Sharma who is accompanied by Ustad Zakir Hussain. Nothing can beat that! My dear Trivenians, enjoy this beautiful rendition and I know that you all must have saved the links for future use. Cheers!
Surashree Ulhas Joshi. And a double bonus:
I also open this week to OpenHALL. Enjoy! From the hosts:
A suggestion: please don't listen to this exposition just once and write multiple haiku. Listen to the singer's raga delineation multiple times. Let the raga soak in you. Internalise the movements, curves and leaps and most importantly the emotion it produces.