haikaiTALKS: a saturday gathering! 2nd May 2026
- Srinivas Sambangi
- 2 hours ago
- 2 min read
haikaiTALKS: Sense switching|a saturday gathering under the banyan tree
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haikaiTALKS
Guest poet: Srinivasa Rao Sambangi
haikaiTALKS: a saturday gathering under the banyan tree
2nd May 2026
Haiku technique: Sense switching
This week we will discuss the technique, as Jane Reichhold calls it sense switching, also known as synaesthesia. William J. Higginson defines synesthesia as a special variety of metaphor in which the author writes of one sensation in terms of another. I personally find it’s one of the difficult techniques.
It’s a favorite technique of haiku masters, but they too used it with great discretion. It speaks the sensory aspect of a thing and changes to another sensory aspect as we move to second or third line of the haiku. Sense switching makes the scene more evocative, intimate and memorable. The beauty of this technique lies in its ability to break conventional perception, creating a more vivid, often surreal image that engages the reader deeply.
The best example of this technique is old pond haiku by Basho. Though this poem has many other aesthetics and techniques in it, you would see the sense switching from visual in first two lines to auditory in third line.
Examples of sense switching
Visual vs Auditory
winter prairie —
a diesel locomotive
throttles down in the night
Lee Gurga
one star
now two …
frog songs
Benjamin Moeller
Visual vs tactile
earthshine
on the new moon
first kiss
Keith Heiberg
Olfactory vs auditory
scent of snow
unable to recall
my father’s voice
Claire Everett
Gustatory vs auditory
warriorsthe
bitterness of pickles
in the talk
Basho, tr Jane Reichhold
Tactile vs auditory
rosary beads the rise and fall of his heartbeat
Hifsa Ashraf
Prompt for this week:
Please write one or two haiku using sense switching technique
References:
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KIGO WORDS
Shall we please try to include a kigo word in all the poems we share here?
Give the season and the word — under your poem.
I'm quoting Lev Hart's request here: "This week’s goal is to compose two verses with toriawase, blending wabi, sabi, karumi, mono no aware, and/or yugen. Tell us which aesthetic concepts you mean to express in a line below the verse. Strive for originality. Avoid stock phrases and shopworn images."
For seasonal references, please check these lists:
“A Dictionary of Haiku Classified by Season Words with Traditional and Modern Methods,” by Jane Reichhold:
indian subcontinent SAIJIKI:
The Five Hundred Essential Japanese Season Words:
The World Kigo Database:
The Yuki Teikei Haiku Season Word List:
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Please provide your feedback on others' commentary and poems as well.
We are continuing haikaiTALKS in full swing!
Keep writing and commenting! _kala

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