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haikaiTALKS: a saturday gathering! 13th June 2026

haikaiTALKS: one line haiku|a saturday gathering under the banyan tree


A Disclaimer

Responsibility for the originality of the haikai rests solely with the submitting poet. 

If anyone feels that it is similar to another haikai, they are encouraged to contact the relevant poet directly.

Triveni Haikai India will take any action as recommended by the submitting poet.


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haikaiTALKS 

Guest poet: Srinivasa Rao Sambangi


haikaiTALKS: a Saturday gathering under the banyan tree

13th June 2026

 

One line haiku


One/two/four Line Haiku:

We are all aware that the majority of the haiku written in English language are three-liners. However, all the haiku cannot fit into three lines for the reasons we are going to explore. Out of curiosity I did some research about their numbers in the Herons Nest for three years (2022-2024). Interestingly one liners appeared are 16%, two liners 0.2%, four liners zero and the rest are three liners.


The structure of haiku depends on what format suits it best. The number of lines may vary from one to four.


In the next three weeks, let’s focus on writing one, two and four-line haiku. This week, let’s discuss one-liners


One-line haiku:

One-line haiku is also called monoku, monostitch, one-liner etc., The rules for one line haiku are very much same as a three line haiku. As it’s one line, the break in the poem is offered by the language used. Words have their own natural breaks. Often, we prefer one liner when a poem can be read in multiple ways and it contains multiple, overlapping readings which enhances the reading experience.


Look at my favourite example:


mallards leaving in the water rippled sky

                                           - Penny Harter


You have all the characteristics of a three line haiku here like juxtaposition between two images etc., It can be read in many ways giving a different break each time you read


mallards leaving in the water/rippled sky


mallards leaving/in the water/rippled sky


mallards/leaving in the water/rippled sky


mallards leaving in/ the water rippled sky


Give a little pause at the end of each variation and internalise the images. You will feel a different experience each time


Some other examples:


mud flats at low tide autumn rain

      --John Stevenson


chestnut moon shifting in my memory ghost floors

          - Alan Summers


pig and i spring rain   - Marlene Mountain


a man in a crowd in a man

    - John Stevenson

 

 

Please write and post one or two one-line haiku this week.


Thanks to Jacek Margolak for recommending this theme. This is a repeat of April 2025 post

 

Ref:




 


For seasonal references, please check these lists:

“A Dictionary of Haiku Classified by Season Words with Traditional and Modern Methods,” by Jane Reichhold:


indian subcontinent SAIJIKI:


The Five Hundred Essential Japanese Season Words:


The World Kigo Database:

 

The Yuki Teikei Haiku Season Word List:


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Dear poets,

Please provide your feedback on others' commentary and poems as well.

We are continuing haikaiTALKS in full swing!

Keep writing and commenting! _kala


4 Comments


Lorraine Haig
an hour ago

#1


overdue reminder marking the page cherry blossom


Lorraine Haig, Aust.

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Alan Summers
Alan Summers
5 hours ago

haiku as monostich 1


second light it sketches charcoal as late-emerging bumblebees


Alan Summers

UK


.


Forgot the hyphen!


Late-emerging bumblebee queens (such as the Garden Bumblebee, Bombus hortorum) typically wake from hibernation between May and early June to establish new colonies.

Edited
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Alan Summers
Alan Summers
5 hours ago

.


“I’d like to discover whether a single line of haiku has its own alchemy of sound and rhythm, content and context, and poetic vitality, within the confines of English. What is about any single line of poetry (and other writing genres) that appeals to us, and how does that transfer to the single line of haiku?”—Alan Summers


Source/Credits

Originally published:

Articulation of the Single Line Haiku (original version) by Alan Summers 

British Haiku Society journal Blithe Spirit vol.33 no.1 February 2023 ed. Iliyana Stoyanova

pages 49-62  (13 pages)


Articulation of the Single Line Haiku

A style-agnostic approach (The expanded edition)

The Pan Haiku Review inaugural issue ed. Alan Summers (May 2023)

pages 8-43 (35 pages)


Extract:  Book review: Modō by…


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Jennifer Gurney
Jennifer Gurney
6 hours ago

#1 6-12-26


oh the pressure first responder garden hose


Jennifer Gurney, US

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