top of page

triveni spotlight: 27th June 2025

triveni spotlight A FEATURE EVERY ALTERNATE DAY hosts: Anju Kishore and Mohua Maulik GUEST EDITOR: Kashiana Singh

27th June 2025


triveni spotlight June 2025




hours swollen

with loneliness

colder days


—Deborah P Kolodji 

Vital Signs Cuttlefish Books Feb 2024

                                          

   <> <> <>



Mono no Aware: The Tenderness of Ending


In Japanese tradition, jisei—death poems composed by individuals on the brink of death—offer final reflections on life, impermanence, and the unknown beyond. Often brief, stark, and yet tender, these poems do not resist death but instead accept it as part of the natural rhythm of existence. Through nature imagery and minimalism, jisei endure as a person's final parable, their distilled teaching to those left behind.


Haiku, too, teaches us to see each moment as both a birth and a death. In its nakedness, haiku captures the bardo moments described in the Tibetan Book of the Dead—transitions between realms, between states of being. Every moment we live contains the seed of both beginning and ending.


The Japanese aesthetic of mujo (impermanence) and mono no aware ("the beauty of transient things") is naturally embedded in haiku, urging us to see not tragedy, but tenderness in the inevitable cycle of change.


In Indian philosophy, this cycle of life, death, and rebirth—samsara—is also seen as a sacred, continuous flow. Death is not a rupture but a return, part of the great wheel of existence. Acceptance of transitions, whether through mourning rituals, river immersions, or the lighting of a pyre, reflects a deep understanding that endings are inseparable from beginnings.


Thus, haiku echoes a universal wisdom across ancient cultures: to live is to move through endless openings and closings, with tenderness for what must pass.


Haiku strips away all but the essence. A poet can express an entire cosmos of grief, gratitude, and wisdom in just a few words. In contemplating death through haiku, we are also contemplating life—its urgency, tenderness, and fleeting beauty.


Through the acceptance of death, we are offered not despair but profound connection: to one another, to the seasons, and the moment-by-moment act of living.


This month, i bring to you a selection of haiku that speak directly to the themes of death, loss, rebirth, and the bittersweet beauty of transience


Kashiana Singh


<> <> <>



Our thanks to Kashiana Singh, this month’s guest editor, for her selection on a theme that is inextricably linked to all our lives. Poets, we are sure you will find the poems and the write up engaging and thought-provoking. Don't forget to share your thoughts in the comments.



_()_ triveni spotlight team






3 Comments


A close friend and my writing partner for 20+ years, Debbie Kolodji's passing last year deeply affected all who knew her. Though we mourn her loss, we celebrate her continuing legacy of highly sensate haikai, rengay and tanku.

hours swollen

with loneliness

colder days

—Deborah P Kolodji  Vital Signs Cuttlefish Books Feb 2024 This poem, written from her hospital bed is a masterclass in mono no aware. It embodies the unbearable lightness of impermanence. The swollen hours are not merely lonely—they are weighted with the slow erosion of presence. Colder days lands without flourish—simply, inescapably—as both prognosis and season. A haiku distilled to pure, dignified ache.


---Billie Dee

Like
Replying to

Yes!!

Like

Thank you so much Kashiana for the beautiful treat of poems!

Like
bottom of page