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HAIKUsutradhar : 29th May 2026


A FRIDAY FEATURE


Host: Gauri Dixit Mentor: Kanjini Devi

Prompter for May : Padma Priya


OUR MISSION

1. To provide a new poetry workshop each Friday, along with a prompt.

2. To select haiku, senryu, and haiga each month for the journal, haikuKATHA. Each issue will select poems that were posted in this forum from the 1st of the previous month to the 30th or 31st of the previous month.


FEEDBACK GUIDELINES ( Included as a guideline, please do not be constrained by these while proving feedback )


Let the feedback be specific and constructive. Don’t be vague. Here are some helpful lines you could use to give feedback.


What is working for me :

1. The seasonal reference is good.

2. The image is very clear.

3. I love the internal rhythm.

4. When read aloud, the poem flows well.

5. The 'cut' which is so important in haiku is effectively done here.

6. I like the format ...it's short,long, short. Nice

7. I love the indent you have given


Points that aren't working for me:

1. The image is abstract

2. The lines are long.

3. Some words are redundant and can be safely removed.

4. The lightness of haiku isn't here.

5. Abstract words take away the haiku's charm

6. There is no 'cut' (kire) in this haiku.

7. There are two kigo (seasonal words) in this ku.

8. This is reading more like free verse.

9. This ku is reading as three separate lines. There is no connect.

SUBMISSION GUIDELINES

1. Post a maximum of two verses per week, from Friday to Friday, numbered 1 & 2. Post only one haiku in a day, in 24 hours.

2. Only post unpublished verses --- nothing that has appeared in peer-reviewed or edited journals, anthologies, your webpage, social media, etc.

3. Only post original verses.

4. For each poem you post, comment on one other person’s poem.

5. Give feedback only to those poets who have requested it.

6. Do not post a variety of drafts, along with a request for readers to choose which they like most. Only one poem is to appear in each original post.

7. Post each revision, if you have any, above the original. The top version will be your submission to haikuKATHA. Do not delete the original post.

8. Do not submit found poetry or split sequences.

9. Do not post photos, except for haiga.


10. haikuKATHA will only consider haiga that showcase original artwork or photos. Post details re: the source of the visual image. If you team up with an artist or photographer, make sure that it’s their original work and that they are not restricted by other publications to share it. We won't be responsible for any copyright issues.


11. Put your name, followed by your country, below each poem, even after revisions.


12. Notification about all selected poems for each issue will be posted on CELEBRATION -on 10th of each month.


Poems that do not follow the guidelines may be deleted.

Founder/Managing Editor of haikuKATHA Monthly Journal: Kala Ramesh

Associate Editors: Ashish Narain Firdaus Parvez Priti Aisola Sanjuktaa Asopa Shalini Pattabiraman Suraja Menon Roychowdhury Vandana Parashar Vidya Shankar

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IMPORTANT ANNOUNCEMENT                                                                  

6th February 2026:

The majority of poets at Triveni Haikai India do want feedback. Instead of making them all write "Feedback welcome," why not ask the minority to write "No feedback, thank you"?


That way, the minority's wish would be much more noticeable, and the majority would be saved the slight inconvenience of having to write "Feedback welcome" on every single post.  


Please follow this suggestion.

This excellent suggestion came from Lev Hart, and I thank him from the bottom of my heart.

 

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PROMPT:

29th May

Padma Priya


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Week 5


summer night … 

mobiles lighting our way 

down the hill shrine


Raji Vijayaraghavan

(haikuKATHA Issue 54, April 26)


This haiku by Raji Vijayaraghavan is a simple sketch of a situation with a striking image in it.


I can literally see the lights from the smartphones bobbing upon the slope of the hill—as if fireflies were dancing on it. The ku brings in a 'smart device', which is invasive and all-pervading in its impact on every aspect of human life in the present-day scenario. The narrator subtly infers the comfort and security offered by the device on the poorly lit hill-slope on a summer night.


Overusing smart devices is a matter of concern, of course. However, one cannot deny the fact that they are useful in myriad ways. Technology is always a boon and a bane.


Prompt: Write a haiku with a 'strong image' along with your perspective on a smart device.

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Looking forward to reading your haiku. Poems outside the prompt can also be posted.

Write on! Gauri

255 Comments


#1. 6/6/26

calligraphy

reduced to a signature

school certificate

Sumitra Kumar

India

Edited
Like


#2

June 4, 2026


poetry workshop

the nuance of zooming in

on Zoom


Milan Rajkumar

India

Edited
Like

Beautiful, Padma!

Like
Replying to

Thank you, Alicia!

Like

#1st Revision: Thanks to Alan

04-06-26


old songs on a phone

the hooting owls deepen

an autumn night


Padma Priya

India

*****


#1 Haiga

04-06-26


old songs on phone

hooting owls deepen

the autumn night


Padma Priya

India



Edited
Like
Replying to

Thank you Alan for your encouraging words. I will revise the ku.

Edited
Like

#2

3/6/2026


lakshmi puja,

youtube pachali

replaces the priest


--- Malabika Mitra, India

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